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Home > Fantasy > The Defeated Dragon > Chapter 263

Chapter 263

Words:1760Update:22/06/25 06:50:19

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Fine.

In fact, Liszt did not play "Two Tigers", nor did he sing "Run Fast". In fact, what he played was the piano piece he was most familiar with.

Beethoven's "Die Liebe" piano piece.

As for why he knew how to play this song, it was naturally because it was very simple and he was very familiar with it. When he was a child, he had a music box. Every time he turned it, "Die Liebe" would jingle. Even now, when he closed his eyes, he could still hear the familiar melody that made him want to vomit.

As one of the world's greatest piano composers, the story of Beethoven's deafness was written in primary school textbooks.

But few people knew that Beethoven was unmarried.

He yearned for love. At the age of 16, he was captivated by an aristocratic lady, but because of the difference in status, they were separated and almost committed suicide. At the age of 20, he fell in love with a widow, but because of the disparity in status, he missed the opportunity. His deafness from childhood tormented him, but he still yearned for love.

At the age of 40, he fell in love with his female student, a young girl named Teresa Malfatti.

Impulsively, he wrote a ditty called "Bagatelle in A minor" and gave it to Teresa. Later, when someone wrote a biography of Beethoven, this ditty was found among Teresa's belongings. But when it was published, the original title was changed from "Die Liebe" to "Die Liebe".

Since then, this piano ditty began to spread widely in the world.

Because of its simple monosyllabic melody, "Die Liebe" almost monopolized half of the music box market. The remaining half was divided by "Castle in the Sky" and "Canon".

When he played it for the first time.

Liszt's fingers were still very jerky. There were many mistakes and it was not perfect. But when he started to play it for the second time, he had already mastered every note and restored most of "Die Liebe".

He played it three times in a row.

He just finished his first piano performance in his career.

Like Meopal, he stood up and bowed slightly to the aristocratic men and women on the dance floor, who had already stopped dancing and were quietly enjoying "Die Liebe".

When he turned away from the piano.

Warm applause rang out from the audience, even more than when Meopal played 'Euryale by the Waterside'. Most of the people here had heard Meopal play 'Euryale by the Waterside'. But no one had ever heard of this short and pithy lyric, "Für Elise".

On Earth, the charm of the work was self-evident. Even though Liszt's performance was only at a beginner's level, it still moved many people.

"Awesome!"

Meopal was unable to restrain his joy as he said, "Liszt, you must teach me this song, I want to learn it!"

"No problem, I'll find some time to write it out." Liszt had no intention of keeping it to himself, but he enjoyed the applause after the performance.

Not only was Meopal circling around him, but many other aristocrats also gathered around him and asked him about the piano piece 'Für Elise'.

A male nobleman exclaimed, "I've never heard of it. Although it's short, its charm is extraordinary."

"I also heard it by chance."

An ordinary aristocratic young lady blinked her big eyes: "Sir Liszt, can you teach me how to play this song? Right, it should have a name, right?"

"'Für Elise', I will sort out the score and give it to cousin Meopal. He will give you a copy."

"I like this piano piece. I can hear the sweetness, the melancholy of seeing through the mundane world, as well as the sorrowful love throughout the song, as well as the longing for love that will never change until death!" The aristocratic young lady who spoke had her hands clasped over her heart, as if she was immersed in the sorrow of two tigers, no, 'Für Elise'.

Liszt regretfully expressed: "Yes, it's a very sorrowful story. I can only remember this relatively easy part of the song. I wasn't able to play the truly sorrowful part later on." In fact, he himself couldn't tell whether this piece was sorrowful or not.

It was a beginner's level 'Für Elise'.

It successfully made Liszt, who wanted to keep a low profile, become the focus of the ball.

Even though the pianist once again went on stage to perform at a high level, there were still a large number of aristocrats surrounding Liszt and discussing the piano.

"Hey, handsome pianist, can I have a dance with you?" A tall aristocratic young lady suddenly squeezed through several other young ladies surrounding Liszt and extended her hand to Liszt.

Her appearance easily made Liszt think of Elisabeth Olsen, the Red Witch from 'The Avengers 2'.

However, her hair was blonde and her pupils were dark blue.

If 10 points were the full score, she would probably get a rating of 8.5 points from Liszt, which was much higher than Athena Salmon, who got 8 points.

"How could I refuse Miss Duniko's invitation?" Liszt grabbed her hand and followed her to the dance floor.

With his arms around her waist, he slowly danced to the piano music, like a waltz in three slow steps.

Liszt could feel that she was very close to him, as if they could connect hearts and warm each other.

"I like this' Für Elise '."

"I like it too."

"But when you play, there are some parts that aren't smooth."

"Yes, I don't play the piano often, and I've forgotten some of the fingering."

"I play the piano every day. I like music, especially this' Für Elise '. It's a very simple monosyllabic melody, but it has a different kind of beauty. I hear the whispers of love between lovers, and I'm intoxicated by the low voice and the love. "

As she spoke, she put her mouth close to Liszt's ear and gently blew a gust of hot air.

This action made him unconsciously respect her, but he resisted the urge to express it: "Miss Duniko really understands music. Unfortunately, I can't restore the original version of 'Für Elise' so that you can feel the sad love story told in the song."

"No, perhaps the incomplete is the most beautiful. It's very short, very relaxed, but it's the best piano skit. There's no need to add any more melody."

Such an evaluation.

Liszt could not help but look up to Miss Duniko.

'Für Elise' was an independent piano skit. Many people, after listening to his nonsense story, felt that it was a pity that they did not listen to the complete version. Only Duniko thought that the incomplete part was complete enough.

This was a woman who truly understood music.

Perhaps she was a socialite nurtured by a great aristocrat.

Duniko Hyacinth, her father was Durante Hyacinth, one of the two counts of Red Crab Island. According to the information Meopal told him, the seventeen-year-old Duniko was known as the Red Crab Island's Thorny Rose. Her reputation was not very good. She was enthusiastic and proactive, but among the countless pursuers around her, none had truly won her heart.

He put his arm around her slender and powerful waist.

Feeling the soft but elastic sensation on his chest, as well as their gazes, he suddenly felt a lot of excitement: "Actually, I just made up the story. This song is an independent piano skit. A pianist fell in love with an aristocratic lady and created it on impulse. "

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