"Huh?" Using a Mystery item?
Laplace placed the dragon scale in her hand. "You can use the Dream Whelk to pull it into the Dream Crystal."
Pulling Eia's dragon scale into the Dream Crystal?
So the dragon scale has some kind of special effect?
Laplace saw through Angor's question and handed the dragon scale to him. "Take a look."
Angor took the dragon scale and scanned it with his spirit feelers.
Soon, he received some information.
"It's a space storage?" Angor muttered in a low voice, but his tone was firm.
Laplace nodded. "Yes. The space is unprotected. You can use your spirit feelers to go inside. Take a look at what's inside. "
Without hesitation, he controlled his spirit feelers and sent them into the space.
With his Mental Energy, which had almost no blind spots, he could see everything inside the dragon scale space as soon as he entered it.
The space inside the dragon scale space wasn't big. In fact, it was extremely narrow.
It was only about the size of a storage box.
At most, it could hold one or two sheets of bedding.
However, such a small space was still quite spacious, which meant there weren't many things inside.
There was only a finely framed oil painting, a pure white quill, a bottle of ink, and two stacks of paper. One of the stacks contained ordinary paper, which was relatively thick. The other was a smaller stack of paper. There were only a few dozen of them, but they all glowed with a faint light.
Angor quickly understood what Laplace meant when he saw the oil painting and the paper. "This is a word space? And it's a medium for paper? "
Laplace nodded. "Yes."
Previously, after experiencing the space of words, they were very interested in this.
It was a special ability that involved the "underlying operating logic", which was even more mysterious than the Sorcerer's Garden. They wanted to know if the word space inside the Dream Crystal would change into some kind of special operating law.
Because of this, when they were chatting privately at the Dragon Banquet, Laplace said that she would look for Eya to borrow a word space. She would use the Dream Whelk to pull the word space into the Dream Crystal and see if there were any changes.
He didn't expect Laplace to be so efficient as to talk to Noah right after the banquet ended.
He even brought word space and paper as a medium!
He did not forget to look at the painting carefully.
Given the relationship between Laplace and Ea, the borrowed oil painting would definitely contain a higher level of text space than the dragon feast space.
What kind of environment would it be?
Forest? Grassland? Or was it an ice field or a desert? Or was it the vacuum of the Transcendents?
Angor looked at the painting curiously.
However, when he saw the surface of the oil painting, he was stunned.
The painting … was completely empty.
It was a piece of paper with a slight oily mist.
How could such a dull piece of paper be framed in such an exquisite frame? What did that mean?
Could it be that there was actually some sort of explanation behind this greasy paper? For example, was there an ancient castle hidden in the fog? However, they would only be able to see it after the fog dispersed.
"There is no saying, and there is no castle." Laplace answered in a flat tone, "It's just a blank piece of paper covered with tung oil."
Angor was speechless.
Laplace said, "However, although there's no picture, there's indeed a word space inside it. And it's the highest level of word space. "
Angor looked at the misty coating in the painting in confusion. If it was the highest level of word space, why was there no picture inside?
"Because it's still in its initial state. If you want a picture, you need to write it on paper and add it to the painting."
To put it simply, the "oil painting" shown by a word space was not drawn with paint or paper. It was described with words.
For example, the oil painting of the Dragon Feast. To outsiders, the oil painting depicted a luxurious courtyard and a grand banquet.
However, the banquet, including the tables, chairs, tableware, and curtains, were all described with words. When the words were finished, the painting would show the corresponding picture.
Currently, the painting was blank, which meant that there was nothing inside the word space.
If they wanted to make the painting colorful, they had to enter the word space and describe the objects themselves.
Laplace said, "The word space contained in this painting was actually cut out from the Arcana Library. They are of the same origin."
The Arcane Library was also a word space, and it was the most powerful one created by Noah. Therefore, even though this oil painting had nothing on it, it was of a very high level.
Because this painting was of a very high level, it could carry extraordinary items of at least the level of a wizard.
"The glowing papers Noah left in the word space are specially made by him. They can be used to describe supernatural items."
Although Ea had left them a stack of glowing papers, it was actually not much.
This was because to create a Transcendent item in the text space, it wasn't something that could be done with just a few sentences of description. It had to be detailed to the point of describing every single material.
In other words, one had to have a good understanding of supernatural materials and enough alchemy knowledge. Then, one had to describe different supernatural materials on different pages. Finally, through the combination of these materials, it was possible to create a supernatural item.
Therefore, even though there was a stack of glowing papers, if one really wanted to create a supernatural item in a word space, one could probably use up all the pages.
However, Noah only left a small stack of special pages. It was not because he was stingy.
It was because these special pages were very difficult to produce. They consumed the potential of the Book of Time. Producing one or two pages occasionally would not affect the talent of the Book of Time too much. However, if they were produced frequently and in large quantities, it would cause permanent damage to the Book of Time.
Therefore, the fact that Eya left a stack of specially made papers for them was already a sign of his sincerity for Laplace's sake.
But then again, even though the number of special pages was small, it was not a big problem for them.
It was not like they would use them in the real world. They would use the Dream Whelk to pull them into a Dream Crystal and then use them again. This cycle was basically a freeloader.
Since they had nothing else to do, Angor looked at Laplace. "So, should we pull it into the Dream Crystal now, or do we create something in the painting first?"
…
In the end, they decided to pull the painting into the Dream Crystal first.
Laplace only "borrowed" the blank painting from Noah under the pretext of "research", and he would have to return it when the time came.
Since the painting did not belong to them, there was no need to "meddle" with it.
Of course, Noah would not mind even if they used the blank painting in the real world. After all, he was willing to lend it to them, and he even prepared the pen and paper so that they could use it.
However, for Angor and Laplace, it was not important that they did not use the word space. Their goal was to pull the word space into the Dream Crystal.
With the plan decided, Angor began to act.
Laplace already confirmed that the Crystal Cluster Space could hide the Mystery aura as much as possible. However, as a precaution, Angor still decided to set up multiple layers of protection.
He took out the Geometric Lock and used it to enter the Silver Forest Space.
Inside, he used the Dream Whelk.
Although some of the Mystery aura still managed to escape from the Silver Forest Space, it was completely suppressed by the Geometric Lock and did not spread further into the Crystal Cluster Space.
With so many layers of protection, the city spirit would not be able to detect anything even if it had "surveillance" means.
Back to the main topic.
Angor had already pulled Noah's dragon scale into the Dream Crystal.
Since the word space involved the fundamental laws, Angor was worried that it might cause some kind of impact to the current power logic.
If that happened, there might be some strange weather phenomena.
To avoid affecting the living beings in the Dream Crystal, Angor placed the dragon scale in a place far away from human habitation.
"Did anything happen?" Laplace asked.
Angor exited his vision. "Nothing yet. Maybe it's because the painting is inside the dragon scale space. Should we go in and check it out?"
Laplace considered and nodded. With Angor around, he would not be worried if anything went wrong.
Angor and Laplace both entered the Dream Crystal at the same time.
When they opened their eyes again, they were already inside a vast Crystal Cluster Space.
This was the "extreme region" of the Dream Crystal.
The "extreme" here did not mean the end. It meant "purity".
The "Crystal" in the Dream Crystal referred to "crystals". Almost everything in the Dream Crystal was made of crystals.
They all looked the same at first glance, but in fact, the crystals in different regions had different properties.
Just like how the earth outside was divided into red soil and black soil, the Dream Crystal was the same.
The crystals in some regions were thin and scattered, which meant that they were not stable enough. This also led to a strange two-tiered view of the world in these regions.
Due to the thin crystal structure, large underground spaces were created.
The surface was one world, while the underground was another.
However, in some places, the crystal structure was extremely pure and firm. In such places, there was almost no space underground.
Such places were called "polar regions" by Angor because they were sturdier and had less underground space.
Angor chose to place the dragon scale in the polar region not only because of the lack of people, but also because the crystal crystals here were very stable. If the arrival of the text space caused some natural disasters, he would not be able to escape.
Due to the structure of the extreme region, it would be more resistant to danger than other regions.
Angor looked around and soon found Aia's dragon scale on a protruding crystal that looked like a table not far away.
He checked the scale carefully and heard Laplace's voice. "What do you think? Did anything happen? "
Angor looked back and saw Laplace already walking to him.
Perhaps it was because of the special terrain of the extreme region, the temperature here was much lower than other places. Angor could see puffs of white mist coming out of Laplace's mouth when he spoke.
Angor shook his head. "Nothing yet. Maybe we need to take the painting out to see if it's going to affect it."
"Let's try it now then?"
Angor considered for a moment and nodded. "Alright."
With that, he took a deep breath and took out the quill from his dragon scale space.
The quill didn't cause any trouble, so Angor decided to strike while the iron was hot and take out the ink as well.
Angor thought the ink would be similar to the quill. To his surprise, as soon as Aia's ink was taken out, the sky began to darken.
Dark and gloomy clouds continued to gather.
On the crystal plain, a biting cold wind began to blow …
Of course, Angor and Laplace wouldn't miss this.
Laplace tucked a strand of silver hair behind his ear. "Is this the reaction of the Dream Crystal?"
"Maybe." Angor considered.
Angor couldn't tell if it was just a coincidence or if Aia's ink really caused the Dream Crystal to react.
Still, it wasn't hard to find the answer. He just needed to take out the remaining paper and oil painting to see if they had something to do with the weather.
Instead of using the oil painting, Angor took out a stack of ordinary paper from the dragon scale space.
As soon as the paper was taken out, the dark clouds in the sky gathered even faster. Layer by layer, the dark clouds became even darker.
It wasn't evening yet in the Dream Crystal, but the polar region was already covered by dark clouds as if it was night.
The dark clouds covered a huge area. At least, it was impossible to see any light in the sky with the naked eye. It was now daytime and nighttime.
The wind was getting stronger and stronger.
It was as if a cold knife was coming straight at him, scraping his face painfully.
Angor could tell that the sudden change in the sky was caused by the paper in his hand.
Thanks to his God's View, he could see that the dark cloud covered almost the entire polar region.
And they were right at the center of the dark clouds!
The ink attracted the dark clouds and wind.
The stack of paper attracted dark clouds to cover his body.
At this rate, once the transcendent paper and the final oil painting were taken out, they would probably have an even greater impact, and the scope would continue to expand.
At the very least, half of the Dream Crystal would be included in the Dream Crystal.
Angor was glad that he chose a place far away from human habitation.
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