Angor finally understood why Laplace said it was related to Gleipnir.
As it turned out, the Glutton's Hunting List was the ticket to Glutton's Carnival.
Only by being on the cleansed list would one be qualified to enter the Glutton's Carnival.
So when the whip, covered with large Mary Roses, came, its target was only Laplace, and it completely ignored Gleipnir.
In order to lure Gleipnir into the special dream, Laplace simply tied her up tightly. If the whip wanted to trap Laplace, it would have to do the same to Gleipnir as well.
In other words, Gleipnir was forcibly dragged into the special dream.
Since there was an extra person not on the list, the "Glutton's Carnival" changed again.
Glutton's Feast!
This was the newly mutated special dreamscape. It was an improvement on the foundation of the carnival, turning the carnival of the gluttons into a feast for the gluttons.
Normally speaking, the change in the name of the dream meant that the difficulty of this place increased.
And that was indeed the case. The three floating human head balloons and Bila, who had turned into a mountain of meat, were all signs of the increased difficulty.
But it didn't matter. Laplace and Gleipnir were too strong for this special dream. No matter how much the dream changed, it wouldn't affect them at all.
"I see. If the special dream changed, then the shape of the crystal objects outside changed as well. That's possible. "Angor nodded.
"And here I thought the change of appearance had something to do with solving the riddle. Looks like it doesn't," Angor muttered to himself.
Gleipnir heard Angor's words and paused for a moment. He seemed to have thought of something and fell into deep thought again.
Angor didn't notice the change in Gleipnir's expression. He kept asking, "Oh right, I saw Laplace just now. No, I mean another Laplace, the one in the rabbit suit."
"What about her?" Laplace asked.
Angor briefly described the rabbit girl's situation. After that, Angor couldn't help but ask the question he was most curious about. "How did she teleport to that octopus monster? Is it some kind of spatial ability? If so, why don't I feel any spatial fluctuations? "
Laplace said calmly, "According to the rules of the Wizarding World, you are spying on my ability."
Angor chuckled. "I'm just curious. If Ms. Laplace doesn't want to talk, that's fine. "
Laplace pondered for a moment before saying, "Regarding her ability, apart from me and my past self, no one else knows about it, including the Wise Ones. However, there's no harm in telling you. After all, you saw it with your own eyes. "
What Laplace meant was that Angor was now on the same level as the Wise Ones. And the relationship between the Sage and Laplace was a great debt of gratitude.
The fact that Angor was on the same level as the Wise Scholar meant that Laplace valued his relationship with Angor a lot.
"That's an ability she created herself, using my bloodline as a catalyst."
"The name of this ability is Rabbit Hole."
"As long as there is still bloodline presence in the place where she fought, she can use it to move. It looks like teleportation, but it's actually a special movement method created by her bloodline talent. "
Because of this "rabbit hole", the bunny girl was the absolute king of long-range battles.
If she couldn't kill her in a short time, she could slowly spread her bloodline presence to any part of the battlefield. If her opponent was careless, she could use the "rabbit hole" to teleport to them and launch a series of attacks.
In other words, the longer the bunny girl fought, the less she was afraid of spatial restrictions.
That was why Laplace allowed the rabbit girl to deal with the remnants of the Cleaners. She knew very well that none of the Cleaners could defeat the rabbit girl in an instant. As long as they couldn't kill her in a single blow, they would definitely suffer a backlash from the rabbit girl's prolonged battle.
Angor finally understood what was going on.
However, he still didn't know how the "rabbit hole" worked.
Was there really a way to achieve the effect of spatial teleportation without relying on the power of space? Or footwork?
"Of course there is." Laplace looked up at the dark sky and saw Angor standing outside the box. "What? You're curious about this?"
"Of course I am. But I'm curious. Is she the only one who can do this? Can she use other bloodline powers to move like a rabbit hole? "
Laplace whispered, "You want to learn?"
"No. I don't have any supernatural bloodline, so I don't think I can learn it. But I do know a Bloodline wizard — "
Laplace asked, "You mean the hunter who was searching for the treasure?"
The hunter that Laplace was talking about was none other than Dorcas.
Dorcas was also a Bloodline wizard. However, Angor wasn't thinking about Dorcas. He was thinking about Dorcas' brother, Leon.
Lyon also walked the path of the Bloodline Faction. If he could learn this movement method, it would significantly increase his combat strength and survival ability.
Angor didn't say it out loud, but he didn't say it out loud.
"I don't know if he can learn it or not. Laplace created the footwork himself, so I didn't pay much attention to it. "
This actually made sense because Laplace's main body didn't need any combat footwork at all. When one's strength reached the pinnacle, just raising one's hand or raising one's foot could cause a powerful destructive force. Tearing space apart was even easier. All one needed to do was to push forward. There was no need for any footwork.
The rabbit girl was only Laplace's avatar. It was possible that she would study such techniques.
"If you have a friend who wants to learn the rabbit hole, you can ask Laplace for help. If he or she agrees, even if he or she can't learn the rabbit hole directly, he or she can create something similar for himself. "Laplace paused." But first, he or she must agree. "
"Is it hard?" Angor asked.
Laplace said indifferently, "Whether it's difficult or not depends on who it is. She's very sensitive to malicious intentions. She'll notice any malicious thoughts, even if it's just the tiniest bit. But if she finds out you have ill intentions … well, don't even think about it. "
"So she's been avoiding me because she thinks I have ill intentions?" Angor asked.
Laplace shook his head. "That's not it. If you do, she'll stay away from you even if we're right next to you. "
In other words, the rabbit girl's fear of strangers was just part of her personality.
If Angor wanted the rabbit girl to teach him the rabbit hole, he or she must not have any ill intentions. He or she also needed to find a way to avoid touching her sensitive spots. This made things a lot more difficult.
"It seems that Laplace is all right. What about … Luigi?" Laplace asked.
"Luigi's a bit more troublesome than Laplace," Angor said.
Angor explained Luigi's current situation in detail.
Luigi had approached Fairydream Mountain and was wandering around the only path leading up the mountain. If Angor didn't stop him soon, Luigi would climb up the mountain.
"My guess is that the mountain is trying to lure people to climb the mountain," Angor said.
"Even if it's not, Luigi's always curious about everything. He won't be able to resist it."
"Do you need me to stop him?" Angor asked in a low voice.
"No." Laplace shook his head. "If he really enters the mountain, we'll let him suffer. He can log off anyway, and he'll run away faster than anyone else."
Angor thought about it and agreed. Indeed, Luigi wouldn't be in any danger if he went offline.
While they were casually chatting, Glepnir suddenly interjected, "You just said that the crystal creations outside have extra heads. What do those heads look like?"
Glepnir's sudden voice interrupted their conversation. From her expression, she seemed to have noticed something.
Angor hesitated. "They're all inside the stamens of Big Mary Roses. Big and small, old and young, male and female …"
Gleipnir asked, "Are all their faces different?"
"I think so?"
Gleipnir said, "Since you're outside, can you help me see if Bila is among these faces?"
"Sure."
Several seconds later, Angor said, "There's Bila, but only the one in Helen's Dream. There's no Bila like this."
Glepnir narrowed his eyes. "Are there other people in this family? I mean, the people in the paintings in Helen's Dream? "
"Nope," said Angor.
Gleipnir continued to ask, "Is there a Helen?"
"… Yes, I do."
Gleipnir said, "Are you sure? Is it Helen when she was young? "
They only saw a picture of Helen when she was young in the study. They didn't know what the current Helen looked like.
"Yes, sir."
Glepnir nodded. "Then help me see if the heads here are the same as the ones outside."
Glepnir flicked his robe, and the silver scales on his body began to reflect countless starlight rays, from which illusory human heads slowly emerged.
There were old and young, male and female heads. There were at least hundreds of them, big and small.
If one were to look at these heads individually, there wouldn't be any difference. But if one were to look at them together, one would discover that these heads all belonged to Helen and Bila!
Helen and Bila as a child. Helen was young and handsome, while Bila was fat and narrow-eyed. Helen was old and elegant, while Bila was still fat and mean.
Two people at different stages of life, from a baby to an old woman, all appeared.
Angor carefully compared them with the flowers on the Big Mary Rose and quickly came to a conclusion. "Yes!"
The heads in the stamen of the rose outside seemed to belong to both men and women. But in fact, there were only two people — Helen and Bila!
Angor didn't notice it at first because they were too close together and didn't show any signs of age.
But now, Glepnir's Second Molting Astrology Disk helped him make up for his lack of logic.
"I knew it," Glepnir muttered.
Laplace looked at Glepnir. "You found the answer?"
Angor also looked at Glepnir curiously. He wondered how Glepnir found out about this. One had to know that Gleipnir had never seen the faces of these people outside.
Glepnir didn't hide anything and told Angor how she found out.
But Angor still didn't know what to say.
According to Glepnir, she heard Angor saying that the whip's shape might be related to solving the riddle and thought of this.
Wha — Wha?!
How did you figure that out?! How is it that after hearing my words, you were able to deduce that the heads outside belonged to Helen and Bila? Moreover, you were able to accurately deduce that the different heads were actually Helen and Bila's appearances at different stages? What did he omit in order to get this answer?
It was like an artist teaching a beginner how to draw. The first two steps were still normal white lines, which were at the level where one's eyes, brain, and hands could follow. But when one blinked, a gorgeous sunset scene appeared on the artist's cardboard. It was as if ten thousand years had passed in that blink. And the beautiful scenery on the paper was like a laugh mocking you for your ignorance and incompetence.
It was the same now. What did Glepnir skip to give the answer directly?
And why do you think it's natural?
Who would talk about causes and effects like this?
And why do you look like you understand it too, Laplace? You can understand it too?
Angor didn't know what was going on. He didn't understand the logic at all.
So, he asked carefully.
Glepnir's answer was also interesting. "The stars will tell me the answer."
The stars will tell you the answer?! So … the omitting part was the astrological prediction?
Angor didn't really understand. But he didn't want to ask. He only wanted to know if Glepnir could solve the riddle about the exploration degree.
The whip's shape shouldn't make her think about completing the exploration degree, right?
While Angor was thinking, Glepnir had already opened her mouth and told Angor the answer she came up with.
(End of Chapter)
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