Actually, Roland had thought about this problem when he was making the Black Tortoise Robe. Robes that were also enchanted with powerful magic would require an additional supply of Authority, which was a very normal thing for magic tools.
At that time, the solution to the power requirement of the Black Tortoise Robe was to use magic stones to make an accessory and wear it in a fixed position as a replaceable magic stone accessory. As for the accessories, Roland had planned to make another day after he tried on the robe.
However, the plan could not keep up with the changes. The subsequent series of events made the silk robe no longer an ordinary magic tool. The Black Tortoise Robe on the back had the potential to become a god, but it was not complete.
For some unknown reason, it was just sleeping and was only the source of power to support the magic attached to the robe. Besides, the power of the Black Tortoise Robe was far from the level of a weak divine power, which might be the reason why it was sleeping.
Now, the three sets of Han clothing that he planned to make could not only add more magic in the silk reeling stage, but also in the weaving stage, Lin planned to add runes of magic arrays. The purpose was to imprint a mark that belonged to the land of confusion, unlike the Black Tortoise Robe which was empty and gave the Black Tortoise a chance to take advantage of it.
This meant that the three sets of Han clothing would have more magic effects and needed more power than the original Black Tortoise Robe.
The first spell that came to mind was the second-circle apprentice-level spell "Mana Sharing." This was a version that Lin Yong had improved when he made the 20 rings. It could absorb the power of magic in the surrounding environment and store it for the equipment to use.
It was just that this method, whether it was the efficiency of absorption or the amount of storage, was very low. In order to maximize the effectiveness of the active and passive spells attached to the three sets of Han clothing, additional power was still needed. Otherwise, it would be charging for a whole day and using for three minutes, and only 30% of the functions could be used.
Therefore, the original solution for the Black Tortoise Robe was put back on the table for consideration. Under the ingenious thinking of the three women, not only did they supply power with one or two accessories, but they also changed the original cloth buttons into magic stone buttons and added some tassels and beads. The beads were replaced with magic stones.
Of course, the design of these magic stones was that they could be replaced quickly. They could replace the countless magic stone accessories with abundant magic stones to maintain the operation of the magic equipment.
He had already done the two stages of enchantment several times during the silk reeling process, so it could be said that he was very familiar with the process. As long as the upper limit of the spell was calculated, there would be almost no accidents in this part.
However, the second stage of the enchantment was to add the runes of the magic array into the pattern during the weaving process of the jacquard.
In fact, similar skills already existed in mysterious places. It was not uncommon for Master Enchanters and Tailors to embroider magic runes on magic robes or cloaks. In fact, any mage would know how to do this. It was just a matter of how the finished product looked. Moreover, no one had ever tried embedding magic runes into a common design. Generally speaking, the design was the design, and the runes were the runes.
When this kind of technology was used on the jacquard machine, it was not something that could be solved by reducing the scale. How to hide the magic array runes in the drawing while maintaining the same drawing? This was true skill. A certain someone's eyes were about to pop out of their sockets.
However, when the three women handed over the design of the traditional Chinese clothing, a certain someone was still shocked.
First of all, they did not use the Vermilion Bird, Azure Dragon, and White Tiger totems. Other than the White Tiger that they could understand, the other two spirit beasts were creatures that had never appeared in the maze before, not even in legends.
Although the magic in mysterious places could be analyzed using scientific methods, it was actually because a certain someone avoided a lot of idealistic magic. The main reason was that it was impossible to understand and analyze. If it was not easy to understand, it would not be able to be used well. Like curses, like divination, or like prophecies, there were many things that could not be explained clearly. Lin Xiantian did not believe in these things, so naturally, she would not use them.
In short, this was the reason why the three women did not use the spirit beast totems. In this regard, Lin Xiantian did not express any objection. Anyway, when she drew those few sketches, the intention was to broaden their horizons and bring out the true beauty of the brocade. She did not want to wear it on Western clothes, which would look neither fish nor fowl.
In fact, their vision and design talent had been honed as early as the era of Wulian City in Xijia District, when they competed with the nobles. Although during the preparation stage of silk production, their sketches were rejected by a certain someone. In fact, that was because they did not bring out the advantages of the brocade, and the design content had long been out of their own style.
Now that a certain someone had shown them the way, they showed their own style without any scruples.
Fen was not good at drawing. Here, she was referring to the kind of artistic and beautiful drawings. As a magician, drawing a magic array with her bare hands was like drawing with a ruler. This was a basic skill. As a necromancer who started out as a necromancer, it was not difficult for her to draw the human body, muscles, and internal organs. But that had nothing to do with art.
Not knowing how to draw did not mean that she did not have a good eye. Under Fen's guidance, Hallumi managed to draw the pattern she wanted. Using the red Vermilion Bird robe as the base, Fen changed it to another bird-like creature. It was a legendary creature called the Elemental Spirit, and another widely used creature was called the Immortal Bird.
Like the gods, it was impossible for it to enter this world with its real body. The eyewitness record left behind by the people in the mysterious land was only the projection of the Elemental Spirit. According to the records left behind by some powerful people, the Elemental Spirit was not in the hierarchy of the Elemental Plane. It did not belong to the Elemental Prince or the Elemental Lord, because it was the Elemental Plane itself. Those Elemental Princes and Lords were only a part of it, or it could be said that they were parasitic on it.
As for why the Elemental Spirit was in the shape of a bird, there was no conclusion.
The traditional Chinese clothing designed by Fen did not use the red color set by the Vermilion Bird robe. Instead, it used a porcelain white base with blue seams. The dress and long sleeves had the Elemental Spirits of the four elements of earth, water, fire, and wind. The color did not emphasize contrast, and it was more light. Moreover, while distinguishing the four elements, it used overlapping layers of color to make them appear harmoniously on the same picture.
With Fen's modification of a certain person's design, how could the two bold apprentices foolishly use a certain person's design? Of course, they had to use their own creativity.
Hallumi had chosen a traditional Chinese costume with the Azure Dragon as its theme, but it had been magically altered to the point that it was completely unrecognizable. The dragons were mainly from the Mystic Dragon Clan. From the combination of the mandarin jacket and the dress, it looked like a towering green tree.
There were eight branches on the tree, and there were three types of metal dragons: gold, silver, and copper. There were also five types of dragons: red, black, blue, white, and green. There was also a brown poisonous dragon at the roots, which was also known as the Corpse Dragon. The size of the dragons was just right, and they did not steal the glory of the main design. They were more like delicate flowers, blooming in different positions on the tree.
If the designs of the other two were like drawing on clothes, Halloumi's designs were like making clothes out of drawings and wearing them. The style was natural and wild. Even if she intended to wear the traditional Chinese clothing, a certain person also felt that this little apprentice was a talent. Also, because this was only a drawing used for weaving, a certain person could not imagine what the complete set of traditional Chinese clothing would look like.
However, among the three women, the design that made Lin Yan the most speechless was the one that was modified from the white tiger robe by Kaya. First of all, the tiger was gone, and it became a white tabby cat …
What was originally a picture of a fierce tiger descending the mountain became a picture of a white cat playing with a pearl …
In terms of color, a certain person's first impression was as if he was looking at blue and white porcelain. Similar to their elder sister's, the base was porcelain white and the edges were sky blue. There was not much color. Compared to the other two, Kaya's design was much simpler, and it had an inexplicable childlike and comical feeling.
But don't think that this girl is harmless just because she is pretending to be cute. From the magic they chose to enchant, it could be seen that not only is Kaya's skin dark, but even her heart is dark.
Fen's Four Spirits Robe was mainly enchanted with defense. And the defense was strong enough to withstand her own attacks. It was so strong. Of course, it was impossible to be unscathed the entire time. But as long as she could withstand the first few attacks, she would not have to be distracted by defense and could focus on offense, and victory would be decided in an instant.
Hallumi's Nine Dragons Robe was mainly enchanted with support magic. Combat and detection magic were permanently enchanted on the equipment, giving her the ability to avoid danger and deal with all kinds of unexpected situations. Even if she had to turn around and run, she could find a way to survive in the shortest time possible. This was the blonde girl's choice. Speaking of which, it was the lesson she learned from the few near-fatal crises in the past.
The first two enchantment themes could be said to be normal, very much in line with the central idea of a mage trying to make himself invincible and then find a chance to counterattack. But Kaya's choice was not the same.
The black-haired girl with brown skin chose to be stealthy, and it was not the traditional stealthy method in the mysterious land.
The thieves, assassins, and other professions that walked in the dark in the mysterious land all had their own set of stealthy methods. But these methods only focused on deceiving the eyes and ears of others, and it was a very clever camouflage.
But no matter how proficient these traditional methods were, under someone's environment monitoring, the stealthy person still had nowhere to hide. Because the detection methods that Lin had designed included infrared vision to sense temperature, Astral Vision to sense soul wavelengths, environmental modeling to observe the flow of air, and so on. There were dozens of methods that came from science fiction movies and novels on Earth.
As long as there was a way to detect the abnormality, they could follow the clues and then find the stealthy person. This was the tragic end of any assassin who snuck into this house and tried to assassinate them. In the end, they would be baptized by the destructive white light.
And these methods were not final, fixed plans. There was still room for change. Lin could add detection methods at any time. As long as he thought of it, whether it was imaginative or realistic, it could come in handy.
But the concealment method that Kaya chose was completely opposite of Lin's detection method. Body temperature could be exposed, so she lowered the temperature that she appeared to be the same as the environment. Heartbeat could alert the enemy, so she used a mute enchantment. The concealment method of the soul could control the movement of the wind and feed back false information. Even if she encountered the enemy head-on, she could use transparency and optical camouflage to hide herself.
As a teacher, when he saw his apprentice come up with such a design, Lin had mixed feelings.
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