The explosion diagram was one of Lin's proudest achievements in recent times. Lin had benefited from the simulation of constantly changing the basic observation points in order to find the stars that belonged to Earth in order to draw a star map. Lin had studied the relative positions of the stars, which was the light spots, to the extreme.
How could he move the Star Atlas while maintaining the same distance between all the light spots? If the observation parameters were changed, how would the entire star map change? And most importantly, what kind of changes would occur in the distance between the stars when they were moving? In other words, Lin's star map was not a static model. It was a simulation of the real universe that could be used to predict the positions of the stars in the past and the future.
This achievement was Lin's most important research project for a long time. Even the unfinished magic tower in Lin's dream had to do with the calculation of the magic array and program on the first floor. Even now, he was still working on it.
The benefits of this research were quite obvious. Take the explosion diagram in front of him as an example. If Fen, a Lich, who was a genius from a thousand years ago, was the one who completely crushed a certain person in terms of talent and magic, and if it was done by Lin himself, there would be slight errors in the details.
After many tests, it was proven that the three-dimensional explosion diagram that Lin's whiteboard technique presented was the closest to the original design. Even though the explosion diagram that Fen presented only had a few lines of error (0.01mm), a certain Lich could not figure out where the error came from no matter how hard he racked his brains. In the end, it could only be attributed to the metaphysics of the program design. This was unexplainable.
Because what he had to do was very important, a certain Lich did not want to carry a bomb that could explode at any time. Therefore, he wanted everything to be perfect. The work of developing the explosion diagram fell on Lin's shoulders.
Fen did not want to look at Lin's smug expression. She took a small part of the explosion diagram and threw it in front of Lin. At the same time, she took out an inconspicuous stone from the pile of materials and put it into the crucible. She said, "This is a star stone. When it's calcined until it emits a green flame, mold it into that part."
Fen also took a large metal ingot and placed it on the metallurgical furnace to heat it up. The parts that were removed from the drawing were used as the base of the parts that Lin was making. She glanced at the general shape and pushed the parts drawing to Halumi. At the same time, she said to the girl, "Get ready, girl. Later, before it completely cools and hardens, you have to carve this formation."
"Yes, elder sister."
When mages were molding magic materials, there was no such thing as a thousand hammer blows. Everything was solved by brute force. Most of the time was spent adjusting the shape into a suitable shape.
If there were many parts that needed to be assembled, it would be troublesome. They would have to be matched and combined one by one, and only then would they be able to fit together tightly.
If there were more than one person working together, it would be another disaster. How to combine what everyone had made was a problem that had yet to be solved. Therefore, the mages in the Mystic Lands usually worked together to create an independent part of the item, and the combination of the parts did not involve precision.
This also meant that only large artifacts, such as airships and Magic Towers, could be made by multiple mages working together. If it were small components or props, most of them were made independently.
But now, what was presented in front of Mage Eversley and the others was a crafting process that subverted their understanding.
The explosion at the beginning had shocked them. That kind of drawing was very intuitive. It was clear at a glance what the item should look like.
Although they didn't understand the dimensions and descriptions floating next to the parts design drawing. But when they saw the demon king and the man put the finished parts into the three-dimensional parts design several times for comparison, it was clear which side was a bit longer and which was a bit shorter. Of course, the corrections were also quite fast.
The golden-haired girl's carving of runes and magic arrays was as smooth as flowing water. And this was the difference between Halumi and Kaya.
If she were to use a ruler and draw a standard drawing, Kaya would be able to make a geometric drawing that was not the slightest bit off.
But if one were to rely purely on the feel of the brush strokes, drawing every line and every turn, the magical tool that Hallumi created would be the best out of the four of them. Even the Lich would not be able to compare to her. This was another unexplainable metaphysics.
Although the difference between good and bad was very small. If it was used by feeling, it could be said that there was almost no feeling. But if it was measured with an instrument, there would be a slight difference.
But the girl was limited by the accumulation of her power. She couldn't draw all the magic arrays and runes completely. Except for a few that needed to be completed in one breath, most of the runes were drawn by Halumi, and Fen made the final stroke. A certain person jokingly called this the finishing touch.
At first, the girl with black hair and brown skin just watched from the side. But every time a part was completed, it would be placed in front of her, in the center of the animal skin magic array. At this time, she would pick up a needle with a thin thread attached to it and connect it to the two ends of the part. The other end of the thread was tied to the animal skin.
At this time, the eight magic stones lined up on the side would light up in sequence. At the same time, all kinds of feedback would enter the coffin and be organized into readable information, which would be displayed on the water mirror screen in front of the girl. From time to time, she would report: "Input 1 mana, output 0.7 mana, temperature increase by 0.04 degrees, vibration frequency of 21 megahertz, ratio of eight powers close to sixth mode. Estimated overflow ratio is 27%. "
Or: "Input 1 mana, output 0.3 mana, temperature increase by 0.5 degrees, vibration frequency of 6 megahertz, ratio of eight powers unknown. Estimated overflow ratio is 66%. "
"That's quite a lot of overflow." If there was a problem with the data, Fen would come to Kaya's side and directly look at the more detailed numbers. Sometimes she would point at the data on the screen and say, "Girl, can you adjust it?" Sometimes she would just throw the material back into the furnace.
At this time, she would stand in front of the blonde girl with arms akimbo and say, "Girl, look at the runes in reverse. Be careful. " Sometimes she would pull a man by the ear and say fiercely, "The component is not exactly according to the blueprint. Not only is there a thickness difference in the center, but it is also very uneven. Who are you trying to kill by making this thing? Do you really want those tentacles to break through this shield and go in and out of your body? "
"Sorry, I was wrong." The crying man pitifully took a piece of bowl-shaped armor with a subtle curve and put it back on the metallurgical furnace to be reprocessed.
By the way, although Magical Shaping could directly change the appearance of magic materials, some of the more "hard" magic materials required a considerable amount of authority to change their appearance. At this time, if heated to a certain temperature, the same work could be done more easily. Moreover, by smelting, impurities could be effectively removed, which was something that Shaping could not do.
But more often than not, it was the Demon King standing in front of the perspective structure of the physical component and the exploded part, constantly calculating the possible changes after the various data were combined.
Sometimes, even if the test passed, it would be returned and asked to be redone because the linkage with the overall body did not meet the requirements of the calculation. He would even change the design on the spot.
Under the dumbfounded gazes of the onlooking mages, complex components were produced one after another. According to their respective experience, to make such a complicated thing, and to take into account the workmanship and precision, it could not be done without a few months, or even a few years of effort.
But in just one afternoon, they could make a quantity that they might not be able to make even if they spent years. How could this not be surprising?
Every time a component was completed, it would be displayed not far away on a table that was not used. The scattered explosion diagram would also push the completed parts to the side to avoid mixing up the parts that were made and not made.
When the display of parts filled a large table, the great mages on the side consciously became coolies and pulled over another long table to set it up. Because the three-dimensional explosion diagram still had unfinished components.
However, it was the first time for Lin Sanjiu and her apprentices to be so focused on making something. Using the explosion diagram, using the Head Coffin, and various power detection functions that were only used in the era of the Tower of the Great Sage to make an object was also the first time.
So much so that they did not even realize that they were going to eat dinner. Their minds were filled with the data on the design diagram. And how to use their own skills to make the object that was made to fit the perspective diagram perfectly.
At first, Lin Sanjiu thought that it was just like the cartoon coloring game that she played when she was a child, where she used a colored pen to fill in a blank space. But when she actually did it, she realized that it was not the case at all. There was a world of difference in the difficulty of filling in blanks in two dimensions and filling in blanks in three dimensions.
Not to mention other things, just the thickness of the components that were forged had been wrong several times. And this unevenness was not to be underestimated. Under Kaya's examination, unevenness of components had a worse performance in power consumption and vibration frequency than components with uniform thickness.
Especially the vibration frequency, which could be said to be the part that Fen paid the most attention to this time. Or, it should be said that many magical crafts were passed down from generation to generation after a large number of trials and errors and elimination methods. This practice had led to the neglect and in-depth study of a physical phenomenon for a long time in the mysterious land, and that was — waves.
Why did the same material and the same structure have different magic effects with different lengths and widths? The mages in the Lost Land never thought about such questions. Instead, they accumulated a lot of trial and error to get the best answer.
In fact, from a certain point of view, such a distortion was understandable when looking at the development of the world from a critical point of view. Back on Earth, all the soldiers and soldiers thought about was how to kill people more efficiently. They thought about how to use rifles that could shoot farther, cannons with bigger calibers, planes that could fly higher, and missiles that could shoot farther. They did not think about anything else.
However, it was never this group of warriors who pushed forward the history of military weapons. The invention of gunpowder was an accidental product of the Taoists' alchemy. The primitive form of the war chariot before it was equipped with cannons was just a tractor used for agriculture. The Manhattan Project was completed by a group of peace-loving mathematicians and physicists who pursued clean energy.
The mages in the Lost Land claimed to be seekers of knowledge. But under the threat of the external environment, their first consideration was how to protect themselves in the war with monsters and other races, instead of asking why.
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