Dear friends, Tai Shilan's second volume, "Grace of Heaven v. Nine Heavens", is already on the market. I have a Dangdang link at the top of my comments section, or you can search for "Tianxia Yuan" in Dangdang Youth Literature's "Popular Authors" section.
The cover is still simple and elegant, drawn by the famous artist Qian Yu. It's a double cover. Attached is a special New Year gift postcard, on it is my New Year's greeting, it is my New Year's greeting to everyone.
The cover of this book is the only cover that I haven't had any flaws since I published it. As a perfectionist, I have never been satisfied with my published books. My nitpicking has driven the editor crazy countless times, and we have quarreled countless times. That is why I rarely like the cover of this book, it will give the whole book a different feeling. I hope everyone will like it as well.
In recent years, the publishing market has been impacted, and the market has been shrinking. In this electronic era, books being collected is one of the greatest achievements of an author. Thank you, my dear friends, thank you for cherishing my words. And I also cherish my words. The two volumes that have been published so far, aside from typos, incorrect sentences, and redundant sentences, there are almost no corrections. I try my best to give everyone the original feeling, and not let everyone down.
This book of Tai Shilan, I can say without reservation that it is the same as Huang Quan, it can be said to be the most diligent I have been writing in the past five years. When I wrote Yan Qing, I wanted to publish it, but I did not know what kind of story would be published and be popular. When I wrote Di Huang, I wanted to write a long story, but I could not completely grasp the structure of a long story. When I wrote Fu Yao, I had already completely given up on the idea of publishing. I was bold and unconstrained, indulging myself in writing. In the end, by a stroke of luck, this book became my masterpiece. When I wrote Huang Quan, I experienced Fu Yao's success, and understood part of the true meaning of writing. I also truly understood a part of the publishing market. Huang Quan was the purer and thicker story that I chose for publication. Although it was not as widely accepted as Fu Yao, its reviews far exceeded Fu Yao's. When it came to Smiling Daughter, I changed my writing style at the request of the publishing company, and took a more straightforward route. After that, there was no need to talk about success or failure. There were advantages and disadvantages, but one cannot completely deny the existence of a book.
As for this book, it's the accumulation of my experiences from the three styles of Rising Phoenix, Smiling Daughter, and Rising Phoenix. I've learned from them, made a comprehensive comparison, and balanced compromise. I've also made some minor adjustments to my writing style. I want to get rid of Fu Yao's impetuousness, Huang Quan's excessive thickness, and Smiling Daughter's shallowness. I want to write a well-rounded book that has a certain depth and meets the needs of the market. I want to write a book that deeply touches on family, friendship, love, and all sentiments in the world. I want to write about a woman who has transformed from the inside out. Not only does she become stronger in martial arts, but she also gradually becomes stronger in her heart. I want to inject more personal thoughts, express more cutting-edge viewpoints, and show a broader perspective and deeper humanity. I want to open up a completely new path for me. This book will not only be the legend of a woman facing war and politics, but also the legend of a feudal emperor. This is my first attempt to explore the theme of education on the basis of ensuring that the story is good. I want to show the collision between modern education theories and ancient education concepts, and show my personal views on education, love, morality, and life.
These words sound dry and uninteresting, but the readers who follow this book know that the story itself is surging and full of ups and downs. The only thing I'm proud of is that I've done all that, and I've focused on all that without affecting the readability of the story too much. I didn't let the book become dry and uninteresting because of the serious and elevated core. I've achieved a preliminary balance between my personal principles and the readers' tastes.
However, no matter how I look at it, what the readers think is the key. Although I've already published six million words, every time the book hits the market, I'm as nervous as ever. It's like I've poured out my heart's blood, and I don't know if it will be liked by others.
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