Inside the Blood Sword Cave.
Wang Yan sat cross-legged in front of a stone wall. He looked at the sword techniques engraved on the stone wall, and his eyes reflected the shadows of the swords. These shadows of the swords moved back and forth, as if they were trying to transform into something. However, they were unable to do so. After an unknown amount of time, the shadows of the swords suddenly exploded. Wang Yan closed his eyes, and soon after, blood seeped out from the corners of his eyes. His expression froze, and his chest heaved up and down as he spat out a mouthful of blood.
"It seems that I overestimated myself."
Wang Yan adjusted his breathing for a while. When there was no more blood seeping out from the corners of his eyes and his mouth, he opened his eyes again and looked at the sword techniques on the stone wall in front of him. He sighed.
Ten days ago, Wang Yan had entered this blood cave. Starting from the first stone wall, he comprehended the Nine Forms of Blood Sword. The first three moves were extremely smooth, but the fourth move wasn't something that could be comprehended in a day. This was because the rules of the Nine Forms of Blood Sword were intertwined. It could be said that one begets two, two begets three.
This set of sword techniques was actually based on the previous three moves. The first move was extremely unpredictable. The second move was based on the changes in speed. When fast, it would be invisible. When fast, it would be invisible. When fast, it would be as light as a feather. When it was heavy, it would be as light as a feather. When it was light, it would be as heavy as a feather. When it was heavy, it would be as heavy as a feather. When it was light, it would be as heavy as a feather.
The essence of the Nine Forms of Blood Sword was very abstract. If it wasn't for the fact that Wang Yan had been taught a lot of strange knowledge by the Fifth Rhyme, it would be very difficult for him to understand these two moves in a short time. The so-called Five Forms of Blood Sword was actually based on the previous three moves. The first move was extremely unpredictable. The second move was based on the change in speed.
The fourth sword was called 'Unfixed', and the fifth was called 'Undirected'. The essence of the sword art was very abstract. If Wang Yanzeng hadn't learned a lot of strange knowledge from Diwu Yun, he wouldn't have been able to understand these two swords in a short period of time. The so-called 'Unfixed' was actually an arbitrary change in a plane. At the extreme, it could even become invisible, like an escaping one, making it impossible for people to find it.
Using the fifth rhythm's theory of space, a point was zero dimensional. It was fixed in one place and could not be moved at all. When it was used in a sword technique, it was like the starting stance. It was not a threat, but it was the foundation of all sword techniques. Two points could be trained into a line, which was known as one dimension. This was like the simplest of thrusts, where one could only advance and not retreat. One could only move forward, unable to make any changes. These three points could form a plane, and in this plane, basic sword moves such as sweeping, cutting, blocking, wiping, and cutting could be produced. The fourth sword move of the Nine Blood Sword Styles used these basic sword moves as the foundation, and used the changes of the plane as the Gist of Trueness.
Although this sword move was hard to understand, its power was limited. It looked complicated, but in reality, it was just for show. After all, a swordsman's sword would not only be in a plane, but this move was not worthy of being an Earth Realm martial art. Therefore, this move was just a combination to lead to the fifth sword move, 'Directionless'.
Using the fifth rhythm's theory of space to understand, the fifth sword move was to add any point outside of the plane and form any three-dimensional space. When it was integrated into sword techniques, one could perform any sword technique in this three-dimensional space. One sword move could be combined with any basic sword move, creating many more complicated changes. For example, if one thrust the sword forward, one could use qi to make the sword vibrate, and then split the sword light to attack in many directions at the same time. Light splitting sword shadow, sword light splitting, and so on were all included. It could be said that it included most of the sword techniques in the Jianghu.
'Directionless' was actually a sword move that could change at will in a world. Although it sounded powerful, it was actually a sword move that solidified one's foundation. It was indispensable, but its power was not that great.
But once one understood the fourth and fifth sword moves and comprehended the sixth sword move, Indefinite, it would be different. In simple terms, Indefinite was an ethereal and untraceable three-dimensional space. If one practiced it to the extreme, they could even attack from any angle they wanted. It could be said that they had reached the realm of no sword and no self.
In simple terms, as long as one understood the sixth sword move, even if it was just a rough practice, one attack would at least have the power of Old Monster Xiu Jue's claw in South River Valley, locking down the world and overturning the universe.
After comprehending the sixth sword move, Wang Yan realized that the fourth, fifth, and sixth sword moves of the Nine Forms of Blood Sword might seem like three swords, but in reality, it was just one sword move. These three swords followed a path that would eventually allow one to understand the use of the rule of space, and then integrate this rule into the swordsmanship, achieving the supreme power of the Indefinite Sword.
Therefore, these three swords were the changes of the extreme space. But to understand and learn the fourth and fifth sword moves, one would need the first three swords as a foundation. After all, if one did not know what was real and what was fake, speed, and weight, how could one talk about the extreme changes? And only by learning the fourth and fifth sword moves could it be possible to understand the profound meaning of Indefinite. This was the saying, 'one begets two, and two begets three.'
Although this was said, if it was an ordinary person, these three swords would be extremely difficult to practice. After all, understanding the true meaning of the swordsmanship was only one part, and to exhaust the changes required a huge amount of calculation. If it was not for the Y program that Chen Xu gave him, and part of the calculation ability of the mainframe, Wang Yan would not have been able to learn these three swords in just a few days.
And after 'one begets two, and two begets three', there was another sentence, which was' three begets all things'. Wang Yan originally thought that the last three swords should be derived from this Great Dao, but he did not expect that the last three swords had no connection at all. They were completely swords of sword intent. The so-called sword intent was a slash of nothingness that was generated by the power of the sword intent.
Simply put, God Bewitching, God Slaying, and God Vanquishing could all be seen as the way of the sword intent. The Nine Forms of Blood Sword actually integrated the method of the sword intent from the first sword move, and every sword move was also involved, but the last three swords were purely swords of sword intent.
God Vanquishing, Immortal Slaying, and Heaven Breaking. The names of the last three swords of sword intent could be said to be more domineering than the previous one, but in fact, these three swords could also be seen as one sword move, which was to continuously condense the sword intent, strengthen the heart of the sword, or in other words, the heart of the Dao, and then comprehend all the laws of the world, using the intent (sword) to dominate the heavens.
If not for the contact with Chen Xu, Wang Yan would definitely be extremely shocked by these three swords, and even see them as supreme laws. However, through the contact with Chen Xu, he now saw through the essence of these three swords. They were clearly to enlighten the NPCs, to teach them the way to go against the heavens, and to break free from the shackles of the world.
To put it bluntly, this world was not the real world, and the three swords might not necessarily be effective, but according to the calculation, the result was an absolutely powerful will that could break through the shackles of the world, break through the seal of the mainframe, and finally occupy the carrier of the mainframe to become a real digital life. This was the so-called 'Great Dao' that Chen Xu designed for the semi-finished intelligent life in this world according to his original intention.
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